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I would imagine they are most helpful for creating composite images and ensuring the various elements match each other successfully, but I’ll have to explore it more to find out. Despite watching and understanding the tutorial instructions about how the various scopes work, I’m not entirely sure why you would want to use them – but they’re certainly interesting. The tools are simple to use and effective, and even include an image review option that I have never seen before in a photo editor, several ‘Scope’ styles of histogram which are more commonly found in video editing software. RAW Editingįor the most part, the RAW editing tools in Affinity Photo are excellent, covering all the controls and tools you would expect from a professional-grade RAW image editor. I found most of the default settings to be quite useful, but it’s nice to have the option to customize them if you prefer a different response, or you can simply disable the whole thing if you want to handle everything manually.Īll too often I switch to paintbrushes using keyboard shortcuts and then forget to change the layer I’m working on, so I wouldn’t want the ‘Other brushes on vector layer’ to automatically rasterize it but rather to remind me not to work so fast that I lose track of details! Little touches like this show how invested Serif is in providing a good user experience that incorporates user feedback, and other developers would be wise to take note. This allows you to customize the program’s responses to certain events, as you can see in the image below. One of the more interesting aspects of Affinity Photo’s user experience (related but slightly different from the user interface) is the Assistant tool.
The final persona, Export, is fairly self-explanatory, allowing you to output your finished masterpiece in a variety of different formats. The Liquify persona is exclusively dedicated to Affinity’s version of the Liquify/Mesh Warp tool, and Tone Mapping is primarily designed for creating and working with HDR images. The majority of the time, users will be on the Develop persona for working with RAW images or the Photo persona for general editing, drawing and painting.
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This makes it possible to keep the interface as minimal as possible while still providing all the tools necessary for a full range of editing tasks. Overall, Affinity Photo is broken down into five modules they call ‘personas’ which are accessed in the top left and focused around particular tasks: Photo, Liquify, Develop, Tone Mapping and Export. Each element of the interface can be customized to allow you to create a layout that matches your specific needs, which is a huge help for anyone who wants to optimize their workflow. It is clean, clear, and minimalist, allowing your working document to be the primary focus. The user interface of Affinity Photo follows a very similar model to that used by Photoshop, but this is a good thing.
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The screenshots in the following review were taken with the Windows version of the software, but the Mac version should be almost the same with only a few slight interface variations. To get a complete rundown of the features offered in Affinity Photo, you can view the full feature list here.
Note: Affinity Photo is a large and complex program with a wide range of features, and we don’t have room to look at them all in this review. I’m always on the lookout for an up-and-coming program that can help improve my workflow, so I treat all my editor reviews as though I might consider using the program myself.ĭisclaimer: Serif has given me no compensation or consideration for the writing of this review, and they have had no editorial input or control over the final results.
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My experience ranges from small open-source editors to industry-standard software suites, and that has given me a lot of perspective on what a good editor can accomplish – as well as how frustrating a poorly-designed one can be.ĭuring my training as a graphic designer, we spent a fair amount of time both using these software packages as well as understanding the logic that went into the design of their user interfaces, and that also helps me to separate out the good programs from the bad.
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Hi, my name is Thomas Boldt, and I’ve been working with image editors for many years in my career as a graphic designer and a professional photographer.
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